Author Archives: debramugnani

The craft of singing

I’m restoring my iphone right now and realizing how dependent many of my morning activities are on my phone and my computer.  If I want to practice singing, the music is on both the iphone and the computer.  If I want to check the weather, it’s there too.  I even have a  series of yoga class podcasts I practice with most mornings.  I am used to immediate gratification.   When I was in my twenties I remember people always saying that ours was the instant gratification generation.  They were certainly right but I don’t think they ever imagined what was to come. 

Singing is very low tech.  You breathe, open your mouth and sustain your speech.  Singing is sustained speech.  Singing is to speaking like poetry is to writing. There is a craft to every art form, singing is no exception.     I am still working on the craft of singing.  I have a lesson every other week and practice my songs when I can.  I also work on memorizing the lyrics. 

 The best way I’ve learned to memorize lyrics is to take a pen to paper and simply write out the words to the song ten times.  The first few times I have to look at the lyric.  After two or three passes, I start to remember parts of the lyrics and have to look back at what I’ve written  to catch a few phrases or  specific words.  Dena De Rose suggested this exercise and suggested you vary the way you write out the lyrics some of the times.  You might write  in large print, in small print, in cursive and in  caps,  in circles, slanting upward, slanting downward and into the margins of the page.  It all has an effect on the way you memorize things.  After writing out the song five or six times,  underline the words that have images attached to them or impact you in some way. In this way not only are you memorizing the song but you are becoming intimately familiar with the story of the song.

Peter Maleitzke recently taught me another way to memorize the lyrics to a song.  You start at the end of the song and memorize the last line and work backwards.  I’ve tried that and it works pretty well too.

Well my phone is restoring, I’m here restoring my self in this moment by quietly sitting and writing this post.  Now it’s on to the dishes.  Sure wish I could find a way to have the iphone or the pc take care of those for me each morning!

Aids Emergency Relief Fund Christmas Dinner

My friend and producer, Kathy Holly, invited me to join her and pianist David Baioni and perform at the Aids Emergency Relief Fund Christmas Eve Dinner the afternoon of December 24th.  We were the first act of the show and were introduced  by none other than a Sister of Perpetual Indulgence!  The event took place at the War Memorial Veterans Building and had about 1000 people in attendance.  It was a heartwarming experience and  gift  for me to be able to participate in this way.  Thanks, Kathy!

A week of Jazz immersion

Just back from a week at my first Stanford Jazz Residency. Studied with Madeleine Eastman, Dena De Rose and Fred Harris. I sang a lot and listened more. Every night there was an amazing concert with people like saxaphonists, Joshua Redman and Andrew Speight, pianists, George Cables and Taylor Eigsti, bassists, Larry Grenadier and Reuben Rogers, and drummers, Eddie Marshall, Clarence Penn and Eric Harland.

I was lucky enough to be able to join the Latin Jazz big band under the direction of the great flutist, John Calloway and after three days working really hard to memorize Dos Gardenias Para Ti, which most remember from the Buena Vista Social Club film, I performed it in the courtyard outside of the Stanford cafeteria and coffeehouse. Holding one’s own in the midst of about nine horn players, two drummers, marracas, piano, and bass really required focus and determination. Glad to have had that experience and look forward to trying that again one day soon!

I’ll be singing tonight at the Villa D’Este and am curious to see what the experience is like after a week of intensive immersion in the music of Jazz.